Artist's Statement

The narrative aspect of painting has always been the key to what drives my work. My "show and tell" personality fuels my urge to preach, teach and beat the drum. I would sum up my goal in painting as trying to make sense of the world (specifically, my world) by breaking it down into a visual language.

Perhaps it's the muralist in me or my great "first love" of medieval and renaissance subject matter, but I have always felt an obligation to relate life experience as moral drama. I feel a duty to provide something in my work that communicates ideas and opens minds to choices and new ways of facing issues in life. It might be more accurate to say that I address these issues from a personal perspective and strive to give them a more worldly application by painting them in a metaphorical or allegorical setting.

The visual language I draw from has its roots in the choice of key connections that I use to relate experiences and emotions. I try to find elements and objects that go beyond my personal experiences, and offer an association, foundation or gut feeling to draw the viewer into the scenario. Combinations of objects represent a visual text that links ideas, moods and emotions. The titles of the works often refer to a colloquial phrase, proverb, or saying employed as a clue to help unlock the riddle of the painting.

I suppose that overshadowing most other considerations is my goal to suspend time and reveal a "moment of mystery" in the work. I've used the phrase"moment of mystery" as a title for many pieces over the past twenty-five years. It remains an essential element in my artistic endeavors and relates to the sense of awe and intrigue that lies in my earliest childhood memories. Certain moments coalesce to form an inspired realization of life's mysteries and the infinity of time and space. Even crude attempts by humankind to describe or invent mystery through physical means become a fascinating source of investigation and ultimately a source for my psycho-dramas.

Through symmetry, embellishment and context I pursue this suspended moment and attempt to recreate it. Like warning signs I want the work to confront the viewer. By creating a dialogue, the paintings invite interpretation and encourage viewers to stop, reflect, assess a point in their lives and proceed with caution or guarded optimism.